《WeYou－最後一隻蟬》

WeYou－最後一隻蟬

WeYou－The Last Cicada

《WeYou－最後一隻蟬》團隊透過田野踏查、地方訪談與駐地創作，以「蟬」的生命歷程為起點，發展關於成長、尋找、孤獨、相遇與告別的故事。作品結合肢體、操偶、聲音、投影、物件與移動光源，讓村落的古厝、樹木、道路與風聲成為劇場的一部分。觀眾跟隨表演者步行於夜色之中，在光影與聲響的流動裡，重新感受人、土地與地方記憶之間的關係。

“WeYou – The Last Cicada”. Through field research, local conversations, and site-based creation, the team takes the life cycle of the cicada as a point of departure to explore growth, searching, solitude, encounters, and farewell. Combining movement, puppetry, sound, projection, objects, and mobile light, the performance transforms the village’s stone houses, trees, paths, and winds into part of the theatrical landscape. As audiences move through the village at night, light, sound, and bodies reveal new relationships between people, land, and local memory.

執行項目限地製作、戶外光影劇場
時間 2026/9/27-28
地點澎湖縣白沙鄉小赤村
委託單位澎湖縣政府文化局

Execution: Site-Specific Production, Outdoor Light-and-Shadow Theatre
Date: September 27–28, 2026
Location: Xiaochi Village, Baisha Township, Penghu County
Commissioning Unit: Cultural Affairs Bureau, Penghu County Government

▮ 前導影片 Teaser Video

▮ 關於 About

如果，你是最後一隻蟬。你會想飛去哪裡呢？

創作沿著繪本《朵朵的禮物》留下的腳步，來到另一座由風帶路的城市——澎湖。

從原先對島嶼、旅行與相遇的想像出發，畸零地工作室將創作視線移向澎湖，走進其中少數不臨海的內陸村落——小赤村。團隊透過多次田野踏查、訪談、排練與現地測試，從石造古厝、田埂、樹木、蜩鳴宮等地方地景，以及村落生活記憶、季節聲響與自然環境中採集創作素材，逐步發展出戶外光影劇場《WeYou－最後一隻蟬》。

If you were the last cicada, where would you want to fly?

Following in the footsteps of the picture book Duoduo’s Gift, this creation arrives in another place guided by the wind—Penghu.

Beginning with the picture book’s imagination of islands, journeys, and encounters, Jilingdi Studio turned its creative gaze toward Penghu and ventured into Xiaochi Village, one of the archipelago’s few inland villages without a coastline. Through repeated field visits, interviews, rehearsals, and on-site experiments, the team gathered creative materials from the village’s stone houses, field paths, trees, Tiauming Temple, local memories, seasonal sounds, and natural environment. From this process emerged WeYou – The Last Cicada, a site-specific outdoor light and shadow theatre work.

從蟬的一生，看見小赤、感覺世界

作品以「蟬」作為觀看世界的起點，從蟬長時間蟄伏土壤、破土、蛻變、鳴叫至離去的生命歷程，發展關於成長、尋找、孤獨、相遇與告別的敘事，並藉由昆蟲對聲音與環境的感知，重新觀看人與地方之間的關係。

演出結合肢體、操偶、聲音、投影、物件與移動光源，不搭建與環境切割的傳統舞台，而是直接將小赤村的房舍、牆面、樹木與道路納入演出。觀眾在步行與停留之間跟隨表演者穿梭村落，使光影、身體與真實地景相互疊合，在夜晚重新觀看熟悉的地方。

Seeing Xiaochi, Sensing the World Through the Life of a Cicada

Taking the cicada as a point of departure for perceiving the world, the work traces its life cycle—from years spent beneath the soil to emergence, molting, calling, and eventual departure—to unfold a story of growth, searching, solitude, encounters, and farewell. Through the insect’s sensitivity to sound and its surroundings, the work reimagines the relationship between people and place.

The performance brings together movement, puppetry, sound, projection, objects, and mobile light sources. Rather than constructing a conventional stage separated from its surroundings, it incorporates Xiaochi Village’s houses, walls, trees, and roads directly into the performance. As audiences follow the performers through the village, alternating between walking and pausing, light, bodies, and the physical landscape overlap, revealing familiar places anew under the night sky.

把劇場收在箱子裏、故事放在雨傘裏、故事記在心裏，隨身帶著走

創作過程亦從蟬的羽化姿態、昆蟲感知世界的方式，以及表演者與物件之間的關係展開實驗。雨傘骨架、半透明布料與長幅地景布在排練中不斷轉化，時而成為土地、蟬的身體與外殼，時而承載小赤村房舍與蜩鳴宮的輪廓；表演者則透過身體與物件操作，在人、昆蟲與地景之間轉換，使物件不只是道具，而成為具有生命與意圖的存在。

聲音同樣構成作品的重要敘事。蟬鳴的遠近、方向、聚集與消失牽動角色的身體與行動，並在演出後段將聲音交到觀眾手中，使觀看逐漸轉化為共同聆聽與回應。

最終，《WeYou－最後一隻蟬》不是將一齣既有作品搬進村落，而是讓小赤村的風、光線、聲音、建築與生活記憶共同參與創作，形成一齣只能在此地發生的作品。

Pack the Theatre in a Box, Hold the Story in an Umbrella, Carry It in Your Heart Wherever You Go

The creative process explores the emergence and molting of cicadas, the ways insects perceive the world, and the relationship between performer and object. Throughout rehearsals, umbrella frames, translucent fabric, and long landscape cloths continuously shift in form and function—becoming soil, the cicada’s body and shell, or a moving landscape bearing the outlines of Xiaochi Village and Tiauming Temple. Through movement and object manipulation, the performer moves between human, insect, and landscape, allowing objects to become more than props: they emerge as presences with lives and intentions of their own.

Sound is equally central to the work’s dramaturgy. The distance, direction, gathering, and disappearance of cicada calls shape the character’s movement and actions. Toward the end of the performance, sound is placed in the hands of the audience, gradually transforming the act of watching into a shared experience of listening and responding.

Ultimately, WeYou – The Last Cicada is not a pre-existing production transplanted into the village. Instead, the wind, light, sounds, architecture, and lived memories of Xiaochi Village become active participants in the creative process, shaping a work that could only take place here.

Curator： Wen Huang
Production： Ground Zero Studio
Director / Creator： Ofelia Yang (Ofe)
Performer / Co-Creator： Hsiu, Chou
Dramaturgy / Prop Production： Meng-Yu, Hsu
Sound Design / Live Performance ：Fiona Chuang
Costume Design： Wan-Lin Tsai (Linggi)
Event Photography / Videography ：Sylvia Liang, Cheng-Yu Tsai
Production Photography： Yi-Tang Lin
Production Manager： Venus Chen
Stage Manager ：Pei-Jung Lee
Special Thanks ：Mu-Hsi Chen
Xiaochi Community Development Association, Baisha Township, Penghu County; Chairman Chin-Ching Lin; Teacher Mei-Hui Lin