“如果畸零地是一個人。他會是一個很平凡、很難被發現的人，融合度很高，因為卡在所有的中間點。
If Marginal Landscape were a person, they would be an ordinary, easily overlooked individual, highly adaptable because they are stuck at every in-between point.”

楊雅儒2023.12.28

“自己目前處於一種「零地」的狀態，這是因為在不斷移動和流轉於不同地方的過程中，對於某個特定地方的依附感逐漸消失，反而開始思考自己與各個地方的關係。他認為，當地方不再有固定的意義時，關鍵在於人與地方的邊界如何界定，而這種關係更多的是個體主觀的感受，而不是依賴具體的地理位置。
I currently find myself in a state of "Ground Zero Place." This is because, through constant movement and transition between different locations, my sense of attachment to any specific place has gradually faded. Instead, I have begun to reflect on my relationship with various places. I believe that when a place no longer holds a fixed meaning, the key lies in how the boundaries between people and places are defined. This relationship, I argue, is more about an individual's subjective perception rather than reliance on a specific geographical location.”

蕭凱文2024.06.22

“「畸零地」反映了中心與邊界的問題，像台灣或偏遠鄉鎮本身就是「畸零地」，而許多藝術家在城市中的生活，也是一種「畸零」的選擇。
"Marginal Landscape" reflects the issue of center and periphery. Taiwan itself, as well as its remote towns, can be seen as "marginal landscapes." Similarly, many artists living in cities have also made a "marginal" choice.”

大Q2024.05.16

“覺得自己也像是一個「畸零的人」，因為他對很多事物都感興趣，卻始終未完全融入某個領域，比如工藝設計或藝術圈，處於一種無所屬、四處游離的狀態。
I see myself as a "marginal person" because I have many interests but have never fully integrated into any particular field, such as craft design or the art world. I find myself in a state of belonging nowhere, constantly drifting between different spaces.”

JIMMY2024.05.16

“畸零是一個變動的狀態，既不完全屬於小眾，也不完全屬於大眾。這種狀態是動態且變化不定的，像是總在變化的圈子和邊界。
“Marginality” is a fluid state, neither fully belonging to the minority nor entirely to the majority. This state is dynamic and ever-changing, much like shifting circles and boundaries.”

何芊澐2024.05.16

“古蹟燒與畸零地都帶有憤怒與不甘，分別表達對過去失落與城市化進程中被忽視空間的情感。然而，兩者也蘊含希望的可能性。古蹟燒透過故事提倡保存與關注，而畸零地則象徵在荒蕪中孕育生命與希望。這些情感呼籲人們重新思考與改變，尋求新的想像與可能性。
“Burn Down Cake” and “Marginal Landscape” both carry emotions of anger and frustration, expressing feelings toward lost histories and overlooked spaces in the process of urbanization. However, both also embody the potential for hope. Burn Down Cake advocates for preservation and attention through storytelling, while Marginal Landscape symbolizes the birth of life and hope amidst desolation. These emotions urge people to rethink, change, and seek new imaginations and possibilities.”

黃建圖2024.06.22

“畸零地是介於城市與鄉村之間，充滿矛盾與魔幻感的空間，既有荒涼寂靜，又有急促和有機的生命力，讓人感受到不同生活層面交織的獨特存在。
Marginal Landscape exists between the city and the countryside, a space filled with contradictions and a sense of the magical. It holds both desolation and silence, as well as urgency and organic vitality, creating a unique presence where different aspects of life intertwine.”

大Q2024.06.22

“每個人在社會中某個不符合主流的部分，可能是我們不被完全接受的自我。現代社會往往要求更嚴謹或明確的身份認同，但回頭看看自己那些「畸零」的部分，反而能看到不一樣的價值，這是一個有趣的反思。
Everyone has a part of themselves in society that doesn't conform to the mainstream, which may be the aspect of ourselves that is not fully accepted. Modern society often demands a more rigorous or clear sense of identity, but when we look back at our "marginal" parts, we can instead see a different kind of value. This is an interesting reflection.”

黃以臻2024.11.04

“在大溪老街，我曾從鐵皮包圍的古蹟縫隙中看到小貓聚會，雖然是廢墟，卻透過這些角落能感受到過去的痕跡與美麗。這些不起眼的地方，承載著歷史和隱藏的景象。
At Daxi Old Street, I once saw a gathering of cats through the gaps of a historic site surrounded by iron sheets. Though it was a ruin, I could feel traces of the past and its beauty through these corners. These seemingly insignificant places carry history and hidden scenes.”

梁語倢2024.11.04