畸零地意指曲折、零餘的經驗，如何在創作脈絡中被重新生成為公共意義。
我們的實踐橫跨典型與非典型公共文化場域，從個人生命經驗、地方文化治理到博物館的文化詮釋，透過可食雕塑與移動性藝術裝置，將創作置入制度、空間與觀眾結構之中，展開可被參與與回應的藝術行動。
我們希望畸零地成為理解台灣時，能被聯想到的一種藝術實踐樣貌——以藝術參與與社會雕塑作為工作方式。台灣曖昧而複雜的歷史與現實，構成我們創作的條件，使經驗在不同文化語境中，隨時間持續分泌。
The name Ground Zero refers to fragmented, meandering, and residual experiences—and asks how such experiences can be reconstituted into shared public meaning within artistic practice.
Our work spans both conventional and unconventional public cultural contexts. From personal lived experiences and local cultural governance to museum-based cultural interpretation, we employ edible sculptures and mobile art installations to situate artistic creation within institutional frameworks, spatial conditions, and audience structures. Through this approach, our projects unfold as artistic actions that invite participation and response.
We envision Ground Zero as a form of artistic practice that comes to mind when seeking to understand Taiwan—one grounded in artistic participation and social sculpture as its core methodologies. Taiwan’s ambiguous and complex histories and contemporary realities form the conditions of our practice, allowing experience to continuously generate meaning across different cultural contexts and over time.
